Té mèrit omplir els carrers de gent àvida de seguir un espectacle. Preguntant la via més directa de tal o qual escenari per no perdre’s cap detall d’una programació que té el pallasso com estrella. Així és com ha viscut Cornellà la 17a edició del Festival Internacional de Pallassos que des de 1984 se celebra a la ciutat i que va finalitzar diumenge.
Pallassos al carrer i en un escenari. Convenció per a parlar d’uns artistes i bufons, massa sovint banalitzats com actors de segona divisió, però que ben mirat es converteixen en la consciència crítica d’una societat sovint impermeable a la autocrítica.
La ciutat, els visitants locals i forans, els artistes han donat plasticitat a un fet incontrastable: la ciutat, per sobre de qualsevol altra consideració o categoria o situació, la formen les persones.
Perquè és important que se celebri un festival de pallassos a Cornellà o que algú, a més de quadrar pressupostos o atendre les necessitats més urgents del veïns, concebis aquesta idea fa més de 30 anys? Perquè la realitat, per molt obtusa o negre que sigui, necessita dels contrastos, de les crítiques i de les rialles d’uns artistes capaços de cridar l’atenció de petits i grans.
Algú pot pensar que el que dic és la suma de paraules buides, concatenació de noms, verbs i articles sense aportar pràcticament res. Allà ell. Però el fet que se celebri, i tingui projecció internacional, a Cornellà té altres lectures que van més enllà de la pura i simple descripció. Ajuda a esvair tòpics, engrana perfectament amb la idea que no tot es cou, anima i projecta en aquell rovell d’ou que una pretesa ‘intelligensia’ ha determinat com l’epicentre del món.
Hi ha múltiples exemples. Cornellà n’és un i el festival ho demostra. La sensibilitat i la categoria de Tortell Poltrona, com a director d’escena, és una magnífica carta de presentació per a tots aquells que pensen que una rialla val més que mil paraules.
(il.lustració Gina Barrera)
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